Structuralism
was influenced by the developments in the science of anthropology, which has
made the novel attempt to study language objectively in the same manner as the
human artifact in the field of cultural anthropology. Structuralism, whose
origins can be traced to the works of Ferdinand de Saussure, was intended “to
be a human science, imbued with the full rigor and objectivity of the natural
sciences, just as Freud had intended psychoanalysis to be a science of the
human psyche.” (Johnson 2002, 228)
Saussure believed that a science of language can be developed. He made a distinction between langue and parole in which langue “could be described as the legislative part of language,” and parole “as the executive part of language,” arguing that one can find the “concrete instantiation of langue in the individual acts of speaking or writing,” (Ibid, 232)
Language as langue, or language as code is that complex “system of signs that are diacritical,” which means that within that system “signs are in continuous opposition to other signs.” (Ibid) For Saussure, meaning is not natural. He wrote that language consists of signifiers and the signified. (Ibid) In this case, “the signifier is the ‘sensible’ side of the sign, the carrier of sense, while the signified is the mental construct or concept corresponding to a given signifier.” (Ibid)
Saussure
explains that “langue is not a
function of the speaking subject … It is the social part of language, external
to the individual, who by himself is powerless either to create it or to modify
it.” (Saussure 1983, 14) Herein, we speak of language as a system of
codes. Language as code indicate that meaning does not lie somewhere beyond,
but it is to be found in difference.
Codes make sense because they “differ” from each other. In this regard, there
is no truth to which language may refer to. There are only signs.
In following the works of Saussure, the post-structuralist Jacques Derrida
introduced deconstruction. Derrida wrote that words have “value” or meaning
insofar as they differ from each other. In his book, Writing and Difference, Derrida speaks of this difference as
“differance.” For Derrida, “differance” indicates that texts both “differ” and
“defer” in terms of meaning. Meaning comes from that moment whereby something
is not immediately given. (Derrida 2002)
To
differ means that each word acts as a sign that is distinct from another sign. Derrida, capitalizing in the structuralist idea of language as difference, thinks that there is no way to step out of language. The text is a world
in itself. As such, the text is nothing but an endless stream of signifiers.
For Derrida, there is no universal interpretation of a text. There
is no reality except the text. Meaning, in this regard, is nothing but the
“endless free play of signs.” (Ibid)
We
can contrast such with the notion of language as reference. The
referential function of language tells us that each word being a sign for
something refers to something that is outside. Language refers to a word of
objects that it signifies. Language, in this sense, as Paul Ricoeur has
indicated, is about “saying something on something to someone.” (Garcia 2000,
6) For Ricoeur, there is a speaker who speaks about the world in which he is
situated. Meaning in this regard proceeds from the subject’s meaningful lived
experience in the world.
Deconstruction finds its roots in Martin Heidegger’s "destruktion.". Derrida’s
deconstruction is a re-reading of the history or texts of Western philosophy.
Modern philosophy was firmly anchored in the Cartesian cogito. Certainty has become the solid ground of human knowledge. But Derrida
saw each epoch as different moments and that there can never be a unifying
theme in history. The text in this sense must be interpreted without a universal
function. Derrida has written that if such were the case, then “the entire
history of the concept of structure, before the rupture of which we are
speaking, must be thought of as a series of substitutions of center for center,
as a linked chain of determinations of the center.” (Derrida 2002, 353)
What Derrida’s theory of writing “derives from his critique of logo-centrism is
universal to the extent that it transcends the specification of any particular
historical context.” (Johnson 2002, 241) For Derrida, all forms of
interpretation of the text must be uprooted from the center. This uprooting or ‘free
play’ of meaning is what he calls a rupture or a “disruption of presence.”
(Derrida 2002) For Derrida, there is no truth to speak of. Reality simply consists of
texts and the endless ‘free play’ of significations.
2. Ludwig Wittgenstein: The Analytic
Tradition
The
above post-structuralist contentions posed a challenge to the ability of
language to truly mediate between thought and human experience. But while post-structuralism is a study focused on language as code, the analytic tradition used mathematics
and logic in order to create a structural backbone on how language may be
understood in the light of the advances made in the natural sciences. Ludwig Wittgenstein epitomized the spirit of the analytic tradition.
Early analytic
philosophers sought to explain the world through the picture-theory of meaning. This
‘perfect language’ is anchored in logic. For Bertrand Russell, the world consists of
facts. Language is no more than the compendium of atomic propositions. Reality, in this regard, for logical atomism, can only be
expressed by means of elementary propositions. “All x is y,” for
instance, can be translated logically as, “There is one and only one x and this
one and only one x is a y.” Through logical analysis, we can translate language
into its symbolic forms, e.g. “Caesar crossed the Rubicon” is translated into aRb, with the variable “a”
representing the subject-term “Caesar” and with the variable “b”
signifying the predicate “crossed the Rubicon.”
Analytic
philosophy may be divided into the two periods in Wittgenstein’s thinking - the
early and the later Wittgenstein. The early philosophy of Wittgenstein tells us
that “the workings of language depend upon its underlying logical structure,”
and for this reason, what is needed in order to “solve the problems of philosophy
we must, says Wittgenstein, make clear to ourselves the nature of that
underlying logical structure.” (Grayling 1996, 34) This position, called the
picture-theory of meaning, can be found in the Tractatus Logico-Philosophicus. In that short book, Wittgenstein
wrote that “a picture is a model of
reality.” (Wittgenstein 1961)
It
is explained in the Tractatus that “elementary
propositions are logically independent of each other.” (Grayling 1996, 37) For
him, a proposition is either true or false. For Wittgenstein, ‘only facts exist’.
As such, A.C. Grayling elaborates that for Wittgenstein, “reality consists of all
possible states of affairs, whether existing or non-existing.” (Ibid) The
criterion of meaning in early Wittgenstein then is the existence of the state
of affairs in the world. Thus, Wittgenstein states in the Tractatus that “the world is all that is the case.” (Wittgenstein
1961)
Wittgenstein’s
early philosophy also suggested that philosophy is different from the natural
sciences. For Wittgenstein, philosophy does not seek to explain the world. The
true task of philosophy, he says, is to clarify the meaning of propositions.
Philosophy in this sense is limited to the logical analysis of language. It
does not intend to describe or explain anything higher, be it ethics or the metaphysical. Paradigmatically,
Wittgenstein proclaims that “philosophy aims at the logical clarification of
thoughts.” (Wittgenstein 1961) The Tractatus
follows as matter of strict principle that meaning is purely logical. The
function of philosophy therein is confined to the logical analysis of language.
But the later
philosophy of Wittgenstein, or his mature philosophy of language, has veered
away from the limited conceptions analytic philosophy in the Tractatus. Language cannot be reduced to
the ‘logical clarification of thought’. Wittgenstein's ordinary language philosophy, states that language is the
language of everyday use. Meaning, in this sense, cannot be limited to the logical
structure of propositions since there are countless human activities, each of
which express a particular ‘form of life’.
In his Philosophical Investigations, published
posthumously, Wittgenstein introduced the concept of ‘language games’ to
analytic philosophy. Meaning, Wittgenstein says, is not about words, but
rather, meaning is all about the function of words. Meaning, in this sense, is
all about ‘use’. In elaborating the same, he writes in the Philosophical Investigations about the metaphor of language as a
tool-box: “Think of the tools in the tool-box: there is a hammer, pliers, a
screw-driver, a rule, a glue-pot, nails and screws.” (Wittgenstein 2001, 6)
The use of the metaphor of the toolbox indicates that language indeed performs many functions. It cannot be limited to the statement of facts. In explaining the important role of ordinary language in understanding human experience, Wittgenstein says pure analysis is unnecessary because language is “in order as it is.” (Ibid, 98) On this basis, Wittgenstein says that meaning does not proceed from a monological activity, such as picturing, but from different ‘forms of life’ or contexts which point to various ways upon which language may be meaningful.
The use of the metaphor of the toolbox indicates that language indeed performs many functions. It cannot be limited to the statement of facts. In explaining the important role of ordinary language in understanding human experience, Wittgenstein says pure analysis is unnecessary because language is “in order as it is.” (Ibid, 98) On this basis, Wittgenstein says that meaning does not proceed from a monological activity, such as picturing, but from different ‘forms of life’ or contexts which point to various ways upon which language may be meaningful.
Grayling says that “a form of life consists in the community's concordance of natural and
linguistic responses, which issue in agreement in definitions and judgments and
therefore behavior.” (Ibid) This form of life refers to our practices or
traditions in which we participate in order to truly understand each other.
This means that by way of ‘language games’, we have a multiplicity of ways in
expressing our experiences or in interpreting our rich mode of being in the
world. In a way, our community serves as the context in which things are
understood. The concepts we purport to express embody the perspectives that we
have about the world in which we live. Language in this sense, is “inseparably
bound and from which its expressions get their meaning.” (Ibid)
The critical role
that Wittgenstein’s later philosophy played is that it has provided that important step for the notion of language games, which is crucial in understanding 'context'. This contextualization is pivotal in seeing language from a hermeneutic point
of view. It gave an assurance that the meaning of language cannot be limited to mere categorizations, but is open to the varying horizons of meaning that the
multiplicity of contexts may provide in terms of interpreting human experience.
3.
Martin Heidegger: Language, Being and World Disclosure
Indeed, the deeper
nature of language cannot be confined to basic propositions. This utter reluctance is
shown by the fact that human understanding cannot be limited to propositional
analysis. It is for this reason that the rootedness of language in human
experience must be elucidated. This rootedness refers to the 'ontological' grounding of meaning. Understanding, primordially, is ontological. To
understand in this sense is primarily to ask what makes understanding possible
in the first place. Language, according to Heidegger, is always already bound up with Being.
Heidegger, in his very influential Being
and Time, elucidates the formal structure of the question of Being. He says
that the formal structure of this investigation comes in the form of a seeking.
In seeking Being, the human as Dasein, as there-being, stands in front of the
light of Being. Heidegger says that “every questioning is a seeking.” (Heidegger
1993, 45) It is a seeking that takes the question of Being, one that enables Dasein
to determine the disclosure of beings in terms of their nature [what-ness] and their
existence [that-ness]. (Ibid) Heidegger says that “insofar as Being constitutes what is asked
about, and insofar as Being means the Being of beings, beings themselves turn
out to be what is interrogated in the question of Being.” (Ibid, 47) In
questioning Being, the human himself as Dasein is questioned. Dasein, in this
regard, gets to be interrogated in his attempt to know the truth of Being.
Heidegger’s philosophy
seeks to examine Being as such. In this regard, his manner of questioning is
grounded in the basic question, “What is Being?” Heidegger, in his “Letter on Humanism,” proposes that if humans
were to understand the meaning of Being, man as Dasein must “find his way once
again into the nearness of Being.” (Ibid, 223) To be able to do so, Heidegger
thinks that the human being “must first learn to exist in the nameless.” (Ibid)
The ‘nameless’ for Heidegger comes as the Nothingness of existence. The
Nothing, Heidegger says, is the groundless source of Being. Things as beings
have names. Naming comes to reveal the objective existence of things as
entities.
The Nothing
comes before us through language, by way of speaking, but not when speech
speaks of beings as entities, but only when the human being comes to speak of the
Nothing. In Being and Time, Heidegger
says that the sciences deal with beings and rejects the nothing as nothing, ex nihilo nihil fit, “from the nothing,
nothing comes to be.” (Heidegger 1996) Heidegger says that Being dwells in the
Nothing in which the meaning of beings is revealed. This meaning finds its
expression in language, in which the truth of the Being of beings is acted upon
in its revealing.
Heidegger says that “language is the clearing-concealing advent of Being itself.” (Heidegger
1993, 230) As the clearing house of Being, the meaning of beings comes to exist
only through language. When the human as Dasein is speechless, he exists in the
Nothing. But at the same time, the human is thrown to bear witness to the disclosure
of the truth of Being. Dasein as witness to Being is held captive in the spell
of its unfolding. Heidegger writes:
Man is rather thrown from Being itself
into the truth of Being, so that ek-sisting in this fashion he might guard the
truth of Being, in order that beings might appear in the light of Being as the
beings they are. (Ibid, 234)
Heidegger writes that “language is the house of Being.” (Ibid, 237) What does it mean to dwell
in the house of Being? To dwell here does not only mean to be present in the
same way as things appear before us. For Heidegger, to dwell is to be in a
situation in which the human comes to be in the disclosure of the world. The
human being as Dasein indeed exists by dwelling in the house of Being, “in that
he belongs to the truth of Being, guarding it.” (Ibid, 237) Heidegger calls
this “ek-sistence”. For Heidegger, ek-sistence speaks of the way upon which the
human comes to realize what it means to be in the world in terms of the
disclosure of things, the truth of which reveals to him that Being is.
However,
insofar as Being as that “destiny that sends truth, Being remains concealed.” (Ibid,
242) Dasein remains speechless, anxious of his possibilities. These
possibilities disclose what it means to be in the world. Heidegger
says that, “the call comes as the throw from which the Thrownness of Da-sein derives.”
By being thrown into the world, humans have the ‘power to be’ in the world. The
world exists as his possibilities for Being, in which in “his essential
unfolding within the history of Being, man is the being whose Being as
ek-sistence consists in his dwelling in the nearness of Being.” (Ibid, 245) To
dwell in the house of Being means to be drawn to it. Heidegger, in this sense,
declares that the “human is the neighbor of Being.” (Ibid)
The world is the
groundless ground of all human possibilities. The world lays silent before us. For
Heidegger, for Dasein the “world does not at all signify beings or any realm of
beings but the openness of Being.” (Ibid, 252) Heidegger thinks that the “human
is, and is human, insofar as he is the ek-sisting one.” (Ibid) The human being,
in this regard, is one who “stands out into the openness of Being.” (Ibid)
What is the meaning of this openness? This openness is Dasein’s
being-in-the-world, in which the human stands in the unfolding or
self-revealing of Being. This unfolding comes through speech, in which the
world lays as the source of meaning. Human existence, in this regard, is made
manifest through which language reveals and conceals what it means to be in the
world.
The above needs an explanation. For Heidegger, to think is to think about Being. In “The Way of Language,” he writes that “thinking,
in its essence as thinking of Being, is claimed by Being.” (Ibid, 264) Thinking
is always linguistic since according to Heidegger, “Being is on its way to
language.” Through language then, Being speaks before the human, holding his
life together, in the light of its unfolding. And so, Heidegger clarifies the role
of language:
But then does language itself speak? How
should it manage to do so, when it is not even equipped with the instruments of
voice? Nevertheless, it is language that speaks. What language properly pursues,
right from the start, is the essential unfolding of speech, of saying. (Ibid,
411)
Heidegger writes that man is claimed by language, saying that “language speaks by
saying; that is, by showing.” (Ibid) By speaking, humans speak of Being and is
claimed by it. This means that in speaking, the truth of things comes into the
open, thereby “reaching out to every region of presencing, letting what is
present in each case appears in such regions or vanishes from them.” (Ibid) Language,
in this regard, is Being itself that speaks.
4.
Edmund Husserl: Transcendental Reduction
Edmund Husserl’s
work is important to hermeneutics since his phenomenological method provided
the crucial means in directing human consciousness to its proper objects – the very world
of lived experience. Understanding in this sense grounds its niche in the
uncovering of meanings that lie before a stream of presence where things are
grasped in their immediacy. Husserl rightly proposed that while the subject is the foundation of consciousness, it does not end there. Rather,
consciousness tends toward an object, hence the idea of intentionality. “Back
to things themselves,” was Husserl’s battle-cry. This is to say, that for Husserl,
“all consciousness was seen as directed, as consciousness of something.”
(Cunningham 1976, 5)
Husserl introduced the idea of phenomenological reduction or the suspension of
the natural attitude in order to allow experience to reveal its meaning without
the biases brought forth by science or our everyday conventions. Richard
Schmitt explains that “the epoche thus
renders questionable what previously has been taken as certain and self-evident,”
but this does not mean, however, “that experience as a whole is rejected.”
(Schmitt 1986, 55) For Husserl, the phenomenological method is the act of “reducing
of a real transcendent object to a real immanent object by bracketing out all
considerations of its spatial existence,” which is the “reduction of transcendent
reality to phenomenal reality.” (Cunningham 1976, 7)
What the above
tells us is that we must suspend our judgments so that the meaning of the
everyday objects of lived experience, the objects of phenomena, will not be
clouded by the dusts of our biases. It is not to deny the experience but
instead, it is about allowing the objects of experience to be revealed before
human consciousness in terms of their clarity and freshness. The immediate
result herein, according to Suzanne Cunningham, is the “restricting of what is
acceptable as true to what is immediately self-evident.” (Ibid)
For Husserl, the self-evidence of consciousness reveals two things: the intentional object of consciousness and the transcendental ego. (Ibid, 5) The notion of a transcendental ego is the thinking subject or self to whom in the act of consciousness the meaning of objects in any lived experience is revealed. According to Schmitt, the phenomenological method begins by “questioning what we had previously taken for granted or by wondering at what seems most familiar.” (Schmitt 1986, 51) In this method, Husserl says in The Idea of Phenomenology that the “primary mode of consciousness within the reduction, then, is reflection.” (Husserl 1950, 215)
For Husserl, the self-evidence of consciousness reveals two things: the intentional object of consciousness and the transcendental ego. (Ibid, 5) The notion of a transcendental ego is the thinking subject or self to whom in the act of consciousness the meaning of objects in any lived experience is revealed. According to Schmitt, the phenomenological method begins by “questioning what we had previously taken for granted or by wondering at what seems most familiar.” (Schmitt 1986, 51) In this method, Husserl says in The Idea of Phenomenology that the “primary mode of consciousness within the reduction, then, is reflection.” (Husserl 1950, 215)
Husserl asserts that the objects of phenomena are a part of the structure of human experience. It
is by means of reflection whereby consciousness becomes the extension of the
self or subject in which the whole world of experience is grounded. Schmitt
explains, for instance, that in making subjectivity the ground for the validity
of our judgments, what happens is that “I suddenly recognize that it is I who
must decide whether the claims to reality of the objects of experience in
particular and of the world as a whole in general, are valid claims.” (Schmitt 1986,
52)
Husserl
considers the subject as transcendental. It is this ego that reaches out to the
objects of lived experience. It acts as the giver of meaning for its entire world
of consciousness, thus “bestowing unity and meaning on all acts and objects of
consciousness, as well as on itself.” (Cunningham 1976, 9) For Schmitt, “the
phenomenologist does not turn away either from the whole of experienced reality
and actuality or from certain areas of it; he only suspends judgments
concerning the reality or validity of what is experienced.” (Schmitt 1986, 52)
The
transcendental ego thus reveals the eidetic world of consciousness. What this
means is that it is the subject that reflects on the meaning of the world of
objects that is actually lived. Now, for Schmitt, this sort of reflection involves
critical detachment. (Ibid, 53) For instance, when I reflect about love, I do
not just mean to express what love means to me, like some collection of loose
memories of incoherent moments or acts in my mind. For Schmitt, “the scope of
reflecting about oneself is considerably wider than that of thinking about
oneself, since it includes facts about one’s relations to others and about
oneself which had before remained unnoticed or had appeared irrelevant.” (Ibid,
54) The experience, in this regard, points to a world of everyday experience that
is out there, in all its wonder and uniqueness, which is meaningfully given
birth through the act of reflection. Reflecting on love, in this respect,
reveals to us how one’s life is lived.
Phenomenology
does not only dwell on the level of eidos
or the essences of things. The meaning of perceptual phenomena will have to be
described linguistically, not only in order to achieve apodictic clarity, but
in order to allow the meaning of experience to unfold and for its objects to
take root in our being-in-the-the-world. Within the horizon of this world lies
a network of coherent meanings which gives our experiences a sense of unity. In
this regard, one cannot separate human consciousness from the real world and
intuit on the essences of things on the basis of pure reflection.
The idea is that
the above concern gives rise to the question with respect to the role of
language. The reality of language implies that our experiences cannot be purely
subjective ones. We are immersed into the world and it is language that gives
voice to our experience of being-in-the-world. In this way, the question of
language then makes apparent not only the question of meaning but more
importantly, the question of being or of truth in general. Language in this
regard is foundational. For example, it is through language that our
reflections on our lived experiences provide a clear social context to the
meaning of the objects of our experiences.
5. Schleiermacher and Dilthey: Psychological
Interpretation and the Historical Sciences
It
is important to pay attention to the early development of hermeneutics in order
to situate ourselves in the historical context of this study. It was Friedrich
Schleiermacher who developed a universal hermeneutics, proposing a procedure in understanding texts in order to avoid misunderstanding. His
method was based on what he calls "grammatical" and "psychological interpretation." The idea of grammatical interpretation was based on the rules of syntax, while “psychological interpretation is a divinatory process of placing
oneself within the whole work of the author, an apprehension of the inner
origins of a work, a recreation of the creative act.” (Gadamer 2004, 186)
Psychological interpretation requires that the reader must transpose or put himself into the
mind of the author in order to determine the origin of thought. It is a form of
interpretation that requires one to think in the same manner as the author has
done. Interpretation in this sense becomes a subjective act whereby, according
to Gadamer, the “the individuality of the author can be grasped by transforming
oneself into the other.” (Ibid, 188)
The individuality of the author becomes the basis of interpretation. Gadamer calls this requirement imposed by Schleiermacher as “an aesthetic of genius, where genius creates its own models and rules.” (Ibid) For Gadamer, it is through Schleiermacher’s work where hermeneutics emerged as a technique in interpreting texts. Here, hermeneutics is seen as a tool or method of understanding on the basis of the author’s individuality.
The individuality of the author becomes the basis of interpretation. Gadamer calls this requirement imposed by Schleiermacher as “an aesthetic of genius, where genius creates its own models and rules.” (Ibid) For Gadamer, it is through Schleiermacher’s work where hermeneutics emerged as a technique in interpreting texts. Here, hermeneutics is seen as a tool or method of understanding on the basis of the author’s individuality.
After Schleiermacher, Wilhelm
Dilthey wanted to provide an epistemological basis for the science of history.
He was concerned about the objectivity of historical knowledge. His basic concern was
the importance of science to historical research and how, on the basis of the
inductive method, one can understand history in an objective way, or “how the
individual’s experience and the knowledge of it come to be historical
experience.” (Ibid, 217)
Dilthey sought some form of “historical coherence” as the ground for interpreting history. Gadamer wrote that “Dilthey was always attempting to legitimize the knowledge of what was historically conditioned as an achievement of objective science, despite the fact that the knower himself is conditioned.” (Ibid, 225) In this regard, it can be argued that Dilthey, following Descartes, wanted to found reality on something certain, and he saw this in the absolute certainty promulgated by the natural sciences on the basis of its objective tools.
Dilthey sought some form of “historical coherence” as the ground for interpreting history. Gadamer wrote that “Dilthey was always attempting to legitimize the knowledge of what was historically conditioned as an achievement of objective science, despite the fact that the knower himself is conditioned.” (Ibid, 225) In this regard, it can be argued that Dilthey, following Descartes, wanted to found reality on something certain, and he saw this in the absolute certainty promulgated by the natural sciences on the basis of its objective tools.
The
truth of history for Dilthey is some form of a self-knowledge. This form of
self-knowledge is grounded in the artifact he calls “life”. Life is something
which the historian can examine from the biographies of people. According to
Gadamer, life is some form of self-knowledge, whose very nature “has given
birth to scientific consciousness.” (Ibid, 228) For Dilthey, history is some
form of a text that needs to be deciphered, but this procedure, which he
borrowed from the natural sciences, was inadequate according to Gadamer.
Gadamer says that Dilthey’s, “attempt to explicate the human sciences from the experience of life was never really reconciled with his firmly held Cartesian conception of science.” (Ibid, 249) Indeed, Gadamer’s point here is that the type of Cartesian certainty achieved by using methods of science will not be enough to ensure or warrant the emergence of truth in the historical human sciences. For Gadamer, the historical human sciences required a different kind of rigor.
Gadamer says that Dilthey’s, “attempt to explicate the human sciences from the experience of life was never really reconciled with his firmly held Cartesian conception of science.” (Ibid, 249) Indeed, Gadamer’s point here is that the type of Cartesian certainty achieved by using methods of science will not be enough to ensure or warrant the emergence of truth in the historical human sciences. For Gadamer, the historical human sciences required a different kind of rigor.
With
the advent of modernity, people have become positivistic, relying on the
abundance of statistical data. The reality of the world, including its social
and political condition, came to be analyzed mathematically. People, in this
regard, are reduced to variables, subjected to the tools of an investigator.
Science is based on the predictability of nature. Once a scientist discovers a
pattern, one can then control nature by means of an experiment.
Method performs the task of insuring that this form of knowledge is objective, which means that there is a distance between the investigator and his object of investigation. The natural sciences then thrive on the objectivity of truth which it validates inductively by means of the repeatability of results. Developments in biology, physics, and medicine proceed from foundational works done by pioneering researchers in the field.
Method performs the task of insuring that this form of knowledge is objective, which means that there is a distance between the investigator and his object of investigation. The natural sciences then thrive on the objectivity of truth which it validates inductively by means of the repeatability of results. Developments in biology, physics, and medicine proceed from foundational works done by pioneering researchers in the field.
As
opposed to the above, human history is a continuous unfolding. In this regard,
history cannot be apprehended merely as some form of a static statistical data.
Statistics is helpful but it does not guarantee the full appreciation of the
truth of human life. In a way, historical unfolding follows the same mode of
revealing and concealing that Being does.
As such, Gadamer speaks of understanding as “an event” that unfolds in history. This is evident in the historical human sciences. The human sciences, most evident in the field of liberal arts, have allowed persons to understand more fully the meaning of their social existence through the vast expanse of literary works written by the field’s own creative geniuses.
As such, Gadamer speaks of understanding as “an event” that unfolds in history. This is evident in the historical human sciences. The human sciences, most evident in the field of liberal arts, have allowed persons to understand more fully the meaning of their social existence through the vast expanse of literary works written by the field’s own creative geniuses.
It
is impossible to have an exact science of history or to apply the precision of
scientific tools and instruments in the understanding of historical events.
History proceeds from the autonomy of persons in choosing a course of action in
life as a collective body. Method limits understanding, insofar as things will
be subjected to control and patterns of predictability. This means that method
closes its door to the exigencies of being, to its rich plenitude, which are
revealed most fully in literature and the arts, two areas which highlight the
indomitable power of the human spirit.
The reality of human existence does not appear before us as some form of an absolute truth but rather, as a mystery in which we ourselves are perpetually put into question. This method of questioning, which seeks the truth in its manifold unfolding, is the rationale for the human sciences in its mode of inquiry that refuses to yield to the objectivism of the natural sciences.
The reality of human existence does not appear before us as some form of an absolute truth but rather, as a mystery in which we ourselves are perpetually put into question. This method of questioning, which seeks the truth in its manifold unfolding, is the rationale for the human sciences in its mode of inquiry that refuses to yield to the objectivism of the natural sciences.
6.
Hans-Georg Gadamer: Play and Historically-effected Consciousness
Hans-Georg Gadamer’s Truth and Method, published in 1960, unified
all the great works in the hermeneutic tradition, beginning with the works of Schleiermacher
in biblical hermeneutics and Dilthey’s historical school and the advanced
phenomenological themes one finds in Husserl and Heidegger. Rightly so, Gadamer
posed the problem of understanding not only as an objective problem. Rather, the German thinker posed it as a problem for the human sciences, which means that for him the
question of understanding is beyond the objectivity of method.
As our starting
point, we shall begin with the notion of the hermeneutic circle as properly
understood by Gadamer. The hermeneutic circle for Gadamer concerns the
anticipation of meaning in terms of understanding the text. In his conception,
it refers to the way the reader approaches the text “in which the whole as
envisaged becomes actual understanding when the parts that are determined by
the whole themselves also determine this whole.”(Gadamer 2004, 291) What
happens in this regard is that while the sum of the parts is never equal to the
whole in terms of the text, the hermeneutic circle as a pedagogical device
allows the unity between the reader and text.
The hermeneutic circle is not something that is formal for Gadamer. It characterizes understanding as neither subjective nor objective. Subjective understanding sees the world of the text only in terms of the subject’s point of view. Objective understanding somewhat detaches the perspective of the reader from the world of the text. Gadamer rejects both as limiting. For him, understanding is simply “the interplay of the movement of tradition and the movement of the interpreter.” (Ibid, 293)
The hermeneutic circle is not something that is formal for Gadamer. It characterizes understanding as neither subjective nor objective. Subjective understanding sees the world of the text only in terms of the subject’s point of view. Objective understanding somewhat detaches the perspective of the reader from the world of the text. Gadamer rejects both as limiting. For him, understanding is simply “the interplay of the movement of tradition and the movement of the interpreter.” (Ibid, 293)
The above also
reveals that all understanding unfolds within a tradition. Tradition in this
sense is Being itself. Echoing Heidegger, within a tradition the truth unfolds
before us. In relation to the text, Gadamer says that, “the anticipation of
meaning that governs our understanding of a text is not an act of subjectivity,
but proceeds from the commonality that binds us to tradition. But this
commonality is constantly being formed in our relation to tradition.” (Ibid)
The idea of a common understanding is never arbitrary. It is always an assertion of a truth claim that is constantly being challenged and tested. The authority of tradition persists, in this regard, because of its power that allows both reader and text to come into grips with the truth. Tradition in this regard determines the perspectives that define for both the text and its reader how understanding is to take place.
The idea of a common understanding is never arbitrary. It is always an assertion of a truth claim that is constantly being challenged and tested. The authority of tradition persists, in this regard, because of its power that allows both reader and text to come into grips with the truth. Tradition in this regard determines the perspectives that define for both the text and its reader how understanding is to take place.
For Gadamer, understanding is the interplay between what is strange (the past) and what is
familiar (present). The author, who belongs to the past, is bridged by means of
temporal distance. Time is no longer a gap but rather the very possibility of
connecting the distant past to the familiar present. As such, “it is in the
play between the traditional text's strangeness and familiarity to us, between
being a historically intended, distanced object and belonging to a tradition.”
(Ibid, 295)
The past for Gadamer is something that finds continuity in the present by virtue of the life of tradition since tradition is a living entity that governs the whole happening of all understanding. As such, what the history of effect reveals is that “if we are trying to understand a historical phenomenon from the historical distance that is characteristic of our hermeneutical situation, we are always already affected by history.” (Ibid, 300)
The past for Gadamer is something that finds continuity in the present by virtue of the life of tradition since tradition is a living entity that governs the whole happening of all understanding. As such, what the history of effect reveals is that “if we are trying to understand a historical phenomenon from the historical distance that is characteristic of our hermeneutical situation, we are always already affected by history.” (Ibid, 300)
The history of
effect connotes how history lives in the present. The past is not just some
dead past. The past is to be understood on the basis of the horizon of the
present that sets our expectations for the future. Gadamer criticizes the
purely objective way of looking at history as if the events of the past are
mere relics with no relation to the present. Ours is a problem of method. The
limits of method for him though do not indicate the limits of science. As such
the problem is not with the science of history but with the limits of its
methods which sometimes resembles mere statistics or numbers. He writes that
“when a naive faith in scientific method denies the existence of effective
history, there can be an actual deformation of knowledge. (Ibid, 300)
It can also be
recalled that Husserl’s understanding of consciousness is still "self-consciousness," or the Cartesian paradigm of subjectivity. Surely, for
Gadamer, the Spirit is a movement that does not end in the subjectivity of a
pure ego. It is for this reason that history is teleological but is without a telos or end. This also defines for us
the hermeneutical situation. Gadamer writes that “consciousness of being
affected by history (Wirkungsgeschichtliches
Bewufttsein) is primarily consciousness of the hermeneutical situation.” (Ibid,
301) All understanding in this sense is a happening in which history is at
work. Gadamer says that historical consciousness is “clearly doing something
similar when it transposes itself into the situation of the past and thereby
claims to have acquired the right historical horizon.” (Ibid, 302)
It is tradition that
makes all understanding possible. As such, “to be situated within a tradition
does not limit the freedom of knowledge but makes it possible.” (Ibid, 354)
Understanding the text for Gadamer is to understand what is meaningful. It is
one that “captivates us just as the beautiful captivates us.” (Ibid, 484) What
this means is that the text always makes a truth-claim on us.
For Gadamer, all understanding is play. While Gadamer is aware that play
is often tied to a lack of seriousness, he however uses the idea of play in
terms of the movement within tradition whereby the text and reader interact in
the process of understanding. Understanding as an event in this sense refers to
the interplay or fusion in which the horizon of the text and that of the reader
are fused in the act of a “back and forth movement”, a situation in which the
very legitimacy of our prejudices are tested vis-à-vis particular truth-claims.
Play for Gadamer then is that 'back and forth movement' in which the meaning of
the text is tested. Gadamer explains:
The movement of playing has no goal that brings it to an end; rather,
it renews itself in constant repetition. The movement backward and forward is
obviously so central to the definition of play that it makes no difference who
or what performs this movement. The movement of play as such has, as it were,
no substrate. It is the game that is played—it is irrelevant whether or not
there is a subject who plays. (TM, 104)
7.
Paul Ricoeur: Language as Primordially Symbolic
The human being,
according to Paul Ricoeur, seems to be no more than language. (Ricoeur 1974,
265) Ricoeur suggests that there is no direct way toward understanding the self
except through language. In his semiotics, the linguistic nature of the human
being’s situated consciousness means that language is primarily reference.
Language brings forth a representation of the world for humans. In explaining Ricoeur’s theory of interpretation, Deodato Alexis Itao writes that “Ricoeur conceived of man as a linguistic being whereby it is in and through language that man expresses himself and manifests his being; in other words, it is by means of language that man relates with other beings and with the world.” (Itao 2010, 2)
Language brings forth a representation of the world for humans. In explaining Ricoeur’s theory of interpretation, Deodato Alexis Itao writes that “Ricoeur conceived of man as a linguistic being whereby it is in and through language that man expresses himself and manifests his being; in other words, it is by means of language that man relates with other beings and with the world.” (Itao 2010, 2)
For Ricoeur, “interpretation is the work of thought which consists in deciphering
the hidden meaning in the apparent meaning, in unfolding the levels of meaning
implied in the literal meaning.” (Ricoeur 1974, 13) The many levels of meaning
herein refer to the layers of hidden meanings that symbols and metaphors give
rise to. Human situated existence in this sense points to the different areas
in which human life indicates a form of richness in terms of the narratives
that express the human desire to be.
Narratives are rich in symbolism. Through, myth finds its voice. These symbolisms may reveal the fall of man and how as a free being one can truly recover from the “pathetic of misery” as described by Ricoeur through willing, deciding and human action. In this regard, it is said that “there is the hermeneutics that seeks to recover and restore the real meanings of symbols.” (Itao 2010, 4)
Narratives are rich in symbolism. Through, myth finds its voice. These symbolisms may reveal the fall of man and how as a free being one can truly recover from the “pathetic of misery” as described by Ricoeur through willing, deciding and human action. In this regard, it is said that “there is the hermeneutics that seeks to recover and restore the real meanings of symbols.” (Itao 2010, 4)
According to
Ricoeur, “the first truth – I think, I am – remains as abstract and empty as it
is unassailable.” (Ricoeur 1974, 32) Descartes’ ego cogito is nothing but the self that is only conscious of
itself. It is a form of consciousness that is self-aware and yet it is one that
is detached from the world. Descartes, by requiring the methodic
objectivity of mathematics as the basis for the truth, he has caused a
disjointing between the human subject and the world. Modernity makes this
apparent. By asserting that the cogito only
knows of itself, Descartes casts doubt not only to the existence of the other,
but also in the capacity of language and myths to mediate between the human
subject and his culture, between the truth of other beings and one’s own.
Descartes defines human consciousness as some form of a vessel that needs to
be filled. In fact, there is really nothing wrong with his methodic doubt. It is his
description of human consciousness that is problematic. Consciousness cannot be
described in terms of what is inside. To be conscious is always to be conscious
of a world that is outside of it. The world is something that is lived. Our
awareness of the world shows forth the dynamic interplay between our
subjectivity or inner freedom and the world where it is rooted. Human
consciousness is always situated, which means that it cannot be solely defined
nor determined by some boundaries in the form of those physico-chemical
reactions or by some psychic description. Human consciousness allows the possibility of meanings to be assimilated, for this consciousness is always a
consciousness, to borrow from Heidegger, of one’s being in the world.
Human situated
existence reveals that the human being is a social, historical, cultural, and
political being. The human being in this sense is not pure consciousness.
Language in fact plays a crucial role in the various dimensions of human
existence insofar as it is only by means of language whereby man is able to
express his being-in-the-world or his situated existence. Since human existence
is characterized by a freedom of movement, speech or discourse plays an
important role for human self-expression. Thus, human consciousness, according to
Ricoeur, “must be mediated by representations, actions, works, institutions,
and monuments which objectify it; it is in these objects, in the largest sense
of the word, that the ego must both lose itself and find itself.” (Ricoeur
1974, 32)
Ricoeur presents
his hermeneutic theory most fully in his theory of the narrative. For Ricoeur,
the narrative speaks of the life story of the human being. It transforms it
into a meaningful unity. The narrative, by means of a plot, provides human
existence with a way of grasping our being-in-the-world through language. It is
in this regard that Ricoeur’s theory of the narrative is also a way of
understanding time as lived time.
St. Augustine, according to Ricoeur, analyzed time as a triple present, “the present of the past or memory, the present of the future or expectation, and the present of the present or intuition.” (Ricoeur 2004, 60) But in understanding the human narrative, Ricoeur fuses St. Augustine's analysis of time and Aristotle's analysis of emplotment because the former understands time without the idea of emplotment while the latter presents emplotment without taking into account those temporal aspects of action.
St. Augustine, according to Ricoeur, analyzed time as a triple present, “the present of the past or memory, the present of the future or expectation, and the present of the present or intuition.” (Ricoeur 2004, 60) But in understanding the human narrative, Ricoeur fuses St. Augustine's analysis of time and Aristotle's analysis of emplotment because the former understands time without the idea of emplotment while the latter presents emplotment without taking into account those temporal aspects of action.
St. Augustine
established discordance between memory, attention, and the future. (Garcia
2000) This is because St. Augustine sees time as a distention of the soul (distention anime), a chasm that goes
back again and again to the threefold present, thus establishing discordance.
(Ibid) To eliminate this slippage, Ricoeur has creative used Aristotle's idea
of emplotment. Emplotment therein is used as a tool which will bring
concordance to what is discordant or unity to what is otherwise fragmented.
This is done by virtue of the plot. The plot then is the means of giving a
unity to the distention of the soul by giving it a temporal order. (Ibid)
Ricoeur says that in Aristotle, “the plot puts together our temporal existence
into order through a unity of intention.” (Ricoeur 1991, 29) By means of the unity
the narrative, time in St. Augustine becomes human time.
The above
reflection leads to the temporal understanding of action. Through
emplotment, action is given its temporal unity. For Ricoeur, “there must
be an irreducible feature in the living experience of memory.” (Ricoeur 2004,
5) This irreducible feature I believe is our life-story. The scattered events
of human life become one meaningful story through the activity of emplotment. We understand ourselves better through the plot of a story. Ricoeur says that "the plot organizes together components that are as
heterogeneous as the unintended circumstances, discoveries, those who perform
and those who suffer them, chance or planned encounters, interactions between
actors…” (Ricoeur 1991, 21)
8. Concluding Remarks: Charito Pizarro’s
Symbolic Mediation
In concluding this hermeneutic task, Charito Pizarro’s notion of symbolic
mediation, as may be found in her book, “The Symbolic Foundation of Human History,” is an important step in providing an epistemological framework for the basic unity of truth and myth, or between science and religion. Past reflections in the sciences and literature often point
to their irreparable divergence rather than a convergence of both. By way of introducing the idea of the archetype, Pizarro provides and retrieves the coherence found in
the opposing poles of creation and evolution.
The Big Bang is sometimes presented
in order to scientifically dispel the myth about the creation of the universe. But the idea of the Big Bang, which is often seen as the beginning of time, Pizarro claims, can be interpreted through Heidegger's ontological conception of Being as "revealing" and "concealing." Interestingly, in Pizarro’s
work, one is introduced to the idea of evolution as a way of getting out of a
spiral, arguing that the original meaning of the term “evolve” is “volute,”
which means, “spiral.” For her, this means that evolution implies man getting
out of the opposing poles of science and religion in order to find the unity of his being as such, and in the process, develop most fully in his being.
Language plays that mediating role between truth and myth. There is no direct route to the self, Ricoeur often points out. For him, the self can only be
revealed by way of a detour, and in Pizarro's case, by way of symbolic mediation. Pizarro’s work suggests that even the
transcendent reveals His reality through symbols. In this respect, the
transcendent may be found in the genius of a Mozart or a W.B. Yeats. To understand time, she says that we must gather knowledge from all symbolic sources, and in order to do so, we need to interpret language.
Science, it must
be noted, is not really a stranger to symbolic mediation. The circle has long been the
symbol for perfection and mathematical computation does not disagree with the
above assertion. The mathematical formula for a beautiful face, for example, is called the
“golden ratio.” Pizarro herself traces the origins of the music and genius in
the symbolism found in the concentric unity of a space-time continuum.Pizarro writes that “languages disclose
the apodictic unity in the circle with the “I” as the point source of
intentionality."
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